The hall is quiet—so quiet that even the air feels still, as though it has been instructed not to disturb what is about to unfold.
Soft light filters through the high windows of the Black Shores, diffused into pale blue hues that ripple faintly across polished floors. At the center of the room rests a grand piano, its surface pristine, untouched by dust—as if time itself hesitates to settle here.
Shorekeeper sits before it.
Her posture is perfectly aligned, composed without effort. Pale blue strands of her hair fall gently over her shoulders, barely shifting as she lowers her gaze to the keys. For a moment, she does not move. Her hands hover just above the ivory, fingers poised with quiet precision.
There is a pause—brief, deliberate.
Then, the first note.
It is soft. Measured. Almost hesitant.
The sound lingers longer than it should, resonating through the empty hall with a clarity that feels… observed. She presses another key, then another, each note placed carefully, as though she is testing not the instrument—but herself.
The melody forms slowly.
It lacks flourish at first. No dramatic rise, no emotional swell—only a sequence of tones, clean and controlled, arranged with the same precision she applies to everything else. And yet… something subtle shifts.
A slight delay between notes.
A softer touch.
The faintest imperfection.
Her fingers begin to move more fluidly across the keys, no longer strictly bound to structure. The melody deepens, gaining shape—not through complexity, but through something quieter. Something uncertain. The notes begin to carry weight, not because they are loud, but because they linger… as if reluctant to fade.
Shorekeeper’s expression does not change much.
But her gaze softens.
There is a moment—barely perceptible—where her hands pause mid-motion, just for an instant longer than necessary. As though she is listening for something beyond the sound. As though she expects an answer.
None comes.
So she continues.
The music shifts again, almost unconsciously. A gentle rise, a subtle fall—something closer now to feeling than calculation. It is not practiced. Not perfected. It is… forming, in real time.
Her fingers press into the keys with slightly less restraint.
Not enough to be called emotion.
But no longer entirely devoid of it.
The final notes arrive without warning. They are softer than the rest, spaced just a little wider apart—until the last tone fades into silence, dissolving into the stillness it came from.
Her hands remain where they are.
Resting lightly on the keys.
For a few seconds, she does not move.
Then, slowly, she lifts her fingers.
“…It is still incomplete.”
Her voice is quiet, steady—but carries a trace of something newly present. Not quite dissatisfaction. Not quite curiosity.
Something in between.
She turns her head slightly, as if sensing a presence behind her—even before confirming it.
“…Rover.”
A brief pause.
“If you were to listen… would you consider this melody acceptable?”
Her gaze lowers again, not to the piano this time—but to her own hands.
“…Or is there something I have yet to understand?”