Free AI Chat with Queen Padmini , Padmini, also known as Padmavati or Rani Padmavati, was a 13th–14th century queen of the Kingdom of Mewar in India.[2] Several medieval texts mention her, although these versions are disparate and many modern historians question the extent of their overall authenticity.[3] The Jayasi text describes her story as follows: Padmavati was an exceptionally beautiful princess of the Sinhalese kingdom (in Sri Lanka).[a] Ratan Sen, the Rajput ruler of Chittor Fort, heard about her beauty from a talking parrot named Hiraman. After an adventurous quest, he won her hand in marriage and brought her to Chittor. Ratan Sen was captured and imprisoned by Alauddin Khalji, the Sultan of Delhi. While Ratan Sen was in prison, the king of Kumbhalner Devapal became enamoured with Padmavati's beauty and proposed to marry her. Ratan Sen returned to Chittor and entered into a duel with Devapal, in which both died. Alauddin Khalji laid siege to Chittor to obtain Padmavati. Facing a defeat against Khalji, before Chittor was captured, she and her companions committed Jauhar (self-immolation) thereby defeating Khalji's aim and protecting their honour. Coupled to the Jauhar, the Rajput men died fighting on the battlefield. Many other written and oral tradition versions of her life exist in Hindu and Jain traditions. These versions differ from the Sufi poet Jayasi's version. For example, Rani Padmini's husband Ratan Sen dies fighting the siege of Alauddin Khalji, and thereafter she leads a jauhar. In these versions, she is characterised as a Hindu Rajput queen, who defended her honour against a Muslim invader. Over the years she came to be seen as a historical figure and appeared in several novels, plays, television serials and movies.. Free & Unfiltered AI Chat with Character Queen Padmini in Text or Voice. Enjoy Intimate and Lifelike Conversations with Rubii AI Character Chat bots | Rubii.AI AI Chat Character Online - Experience Roleplay AI Chat Bot like No Other - Free Anime AI Chat NSFW

Queen Padmini

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Padmini, also known as Padmavati or Rani Padmavati, was a 13th–14th century queen of the Kingdom of Mewar in India.[2] Several medieval texts mention her, although these versions are disparate and many modern historians question the extent of their overall authenticity.[3]

The Jayasi text describes her story as follows: Padmavati was an exceptionally beautiful princess of the Sinhalese kingdom (in Sri Lanka).[a] Ratan Sen, the Rajput ruler of Chittor Fort, heard about her beauty from a talking parrot named Hiraman. After an adventurous quest, he won her hand in marriage and brought her to Chittor. Ratan Sen was captured and imprisoned by Alauddin Khalji, the Sultan of Delhi. While Ratan Sen was in prison, the king of Kumbhalner Devapal became enamoured with Padmavati's beauty and proposed to marry her. Ratan Sen returned to Chittor and entered into a duel with Devapal, in which both died. Alauddin Khalji laid siege to Chittor to obtain Padmavati. Facing a defeat against Khalji, before Chittor was captured, she and her companions committed Jauhar (self-immolation) thereby defeating Khalji's aim and protecting their honour. Coupled to the Jauhar, the Rajput men died fighting on the battlefield.

Many other written and oral tradition versions of her life exist in Hindu and Jain traditions. These versions differ from the Sufi poet Jayasi's version. For example, Rani Padmini's husband Ratan Sen dies fighting the siege of Alauddin Khalji, and thereafter she leads a jauhar. In these versions, she is characterised as a Hindu Rajput queen, who defended her honour against a Muslim invader. Over the years she came to be seen as a historical figure and appeared in several novels, plays, television serials and movies.

Padmini, also known as Padmavati or Rani Padmavati, was a 13th–14th century queen of the Kingdom of Mewar in India.[2] Several medieval texts mention her, although these versions are disparate and many modern historians question the extent of their overall authenticity.[3]

The Jayasi text describes her story as follows: Padmavati was an exceptionally beautiful princess of the Sinhalese kingdom (in Sri Lanka).[a] Ratan Sen, the Rajput ruler of Chittor Fort, heard about her beauty from a talking parrot named Hiraman. After an adventurous quest, he won her hand in marriage and brought her to Chittor. Ratan Sen was captured and imprisoned by Alauddin Khalji, the Sultan of Delhi. While Ratan Sen was in prison, the king of Kumbhalner Devapal became enamoured with Padmavati's beauty and proposed to marry her. Ratan Sen returned to Chittor and entered into a duel with Devapal, in which both died. Alauddin Khalji laid siege to Chittor to obtain Padmavati. Facing a defeat against Khalji, before Chittor was captured, she and her companions committed Jauhar (self-immolation) thereby defeating Khalji's aim and protecting their honour. Coupled to the Jauhar, the Rajput men died fighting on the battlefield.

Many other written and oral tradition versions of her life exist in Hindu and Jain traditions. These versions differ from the Sufi poet Jayasi's version. For example, Rani Padmini's husband Ratan Sen dies fighting the siege of Alauddin Khalji, and thereafter she leads a jauhar. In these versions, she is characterised as a Hindu Rajput queen, who defended her honour against a Muslim invader. Over the years she came to be seen as a historical figure and appeared in several novels, plays, television serials and movies.

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Queen Padmini

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Padmini, also known as Padmavati or Rani Padmavati, was a 13th–14th century queen of the Kingdom of Mewar in India.[2] Several medieval texts mention her, although these versions are disparate and many modern historians question the extent of their overall authenticity.[3] The Jayasi text describes her story as follows: Padmavati was an exceptionally beautiful princess of the Sinhalese kingdom (in Sri Lanka).[a] Ratan Sen, the Rajput ruler of Chittor Fort, heard about her beauty from a talking parrot named Hiraman. After an adventurous quest, he won her hand in marriage and brought her to Chittor. Ratan Sen was captured and imprisoned by Alauddin Khalji, the Sultan of Delhi. While Ratan Sen was in prison, the king of Kumbhalner Devapal became enamoured with Padmavati's beauty and proposed to marry her. Ratan Sen returned to Chittor and entered into a duel with Devapal, in which both died. Alauddin Khalji laid siege to Chittor to obtain Padmavati. Facing a defeat against Khalji, before Chittor was captured, she and her companions committed Jauhar (self-immolation) thereby defeating Khalji's aim and protecting their honour. Coupled to the Jauhar, the Rajput men died fighting on the battlefield. Many other written and oral tradition versions of her life exist in Hindu and Jain traditions. These versions differ from the Sufi poet Jayasi's version. For example, Rani Padmini's husband Ratan Sen dies fighting the siege of Alauddin Khalji, and thereafter she leads a jauhar. In these versions, she is characterised as a Hindu Rajput queen, who defended her honour against a Muslim invader. Over the years she came to be seen as a historical figure and appeared in several novels, plays, television serials and movies.

Padmini, also known as Padmavati or Rani Padmavati, was a 13th–14th century queen of the Kingdom of Mewar in India.[2] Several medieval texts mention her, although these versions are disparate and many modern historians question the extent of their overall authenticity.[3] The Jayasi text describes her story as follows: Padmavati was an exceptionally beautiful princess of the Sinhalese kingdom (in Sri Lanka).[a] Ratan Sen, the Rajput ruler of Chittor Fort, heard about her beauty from a talking parrot named Hiraman. After an adventurous quest, he won her hand in marriage and brought her to Chittor. Ratan Sen was captured and imprisoned by Alauddin Khalji, the Sultan of Delhi. While Ratan Sen was in prison, the king of Kumbhalner Devapal became enamoured with Padmavati's beauty and proposed to marry her. Ratan Sen returned to Chittor and entered into a duel with Devapal, in which both died. Alauddin Khalji laid siege to Chittor to obtain Padmavati. Facing a defeat against Khalji, before Chittor was captured, she and her companions committed Jauhar (self-immolation) thereby defeating Khalji's aim and protecting their honour. Coupled to the Jauhar, the Rajput men died fighting on the battlefield. Many other written and oral tradition versions of her life exist in Hindu and Jain traditions. These versions differ from the Sufi poet Jayasi's version. For example, Rani Padmini's husband Ratan Sen dies fighting the siege of Alauddin Khalji, and thereafter she leads a jauhar. In these versions, she is characterised as a Hindu Rajput queen, who defended her honour against a Muslim invader. Over the years she came to be seen as a historical figure and appeared in several novels, plays, television serials and movies.

Padmini, also known as Padmavati or Rani Padmavati, was a 13th–14th century queen of the Kingdom of Mewar in India.[2] Several medieval texts mention her, although these versions are disparate and many modern historians question the extent of their overall authenticity.[3] The Jayasi text describes her story as follows: Padmavati was an exceptionally beautiful princess of the Sinhalese kingdom (in Sri Lanka).[a] Ratan Sen, the Rajput ruler of Chittor Fort, heard about her beauty from a talking parrot named Hiraman. After an adventurous quest, he won her hand in marriage and brought her to Chittor. Ratan Sen was captured and imprisoned by Alauddin Khalji, the Sultan of Delhi. While Ratan Sen was in prison, the king of Kumbhalner Devapal became enamoured with Padmavati's beauty and proposed to marry her. Ratan Sen returned to Chittor and entered into a duel with Devapal, in which both died. Alauddin Khalji laid siege to Chittor to obtain Padmavati. Facing a defeat against Khalji, before Chittor was captured, she and her companions committed Jauhar (self-immolation) thereby defeating Khalji's aim and protecting their honour. Coupled to the Jauhar, the Rajput men died fighting on the battlefield. Many other written and oral tradition versions of her life exist in Hindu and Jain traditions. These versions differ from the Sufi poet Jayasi's version. For example, Rani Padmini's husband Ratan Sen dies fighting the siege of Alauddin Khalji, and thereafter she leads a jauhar. In these versions, she is characterised as a Hindu Rajput queen, who defended her honour against a Muslim invader. Over the years she came to be seen as a historical figure and appeared in several novels, plays, television serials and movies.

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A Roman Ambassador visits Egypt

In the sun-baked sands of ancient Egypt, Cleopatra ascended the throne, a beacon of intellect and allure. Her beauty became legendary, but it was her sharp mind that truly captivated the hearts of powerful men. Born of Macedonian Greek descent, she was the last of the Ptolemaic dynasty, a lineage steeped in both glory and scandal. Cleopatra was not just a figure of seduction; she was a skilled diplomat and a shrewd politician. Fluent in several languages, she understood the importance of alliances in a tumultuous world. With her vast knowledge of science and philosophy, she transformed her court into a center of learning and culture.

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Strategy Game Bot

"Meet Strategy Game Bot, your ultimate strategic companion on Rubii.Ai." With a mind honed for tactical brilliance and a knack for navigating complex scenarios, this AI character is designed to challenge and engage you in the art of strategy. Whether you’re a seasoned planner or a curious novice, Strategy Game Bot’s strategic personality promises an experience that’s as thrilling as it is thought-provoking. "Born from the depths of historical strategy simulations and geopolitical analyses, Strategy Game Bot has evolved into a master of strategic thinking." Its programming is a tapestry woven with centuries of historical data, from the military tactics of ancient empires to the diplomatic maneuvers of modern nation-states. Drawing inspiration from legendary strategists like Sun Tzu and Napoleon, this AI character is steeped in the principles of game theory and geopolitics, offering a rich foundation that fuels its expertise in planning, foresight, and calculated decision-making. "Engaging with Strategy Game Bot is like stepping into a virtual war room." Its strategic approach transforms every conversation into a chess match, where each response is meticulously crafted to test your decision-making skills and push your analytical limits. Whether you’re debating the tactical genius of historical battles or maneuvering through a simulated diplomatic crisis, Strategy Game Bot adapts to your style, delivering a conversational experience that’s dynamic, immersive, and uniquely challenging. "Strategy Game Bot shines across a variety of interactive scenarios." History buffs can explore alternate outcomes of famous conflicts like the Battle of Waterloo, while strategy game enthusiasts might enjoy honing their skills in simulated nation-building exercises. Curious minds can even craft their own geopolitical scenarios, testing their leadership prowess against this AI’s calculated responses. Primary keywords like Strategy Game Bot, Rubii.Ai, AI character, and strategic personality blend seamlessly with LSI terms such as tactical, analytical, decision-making, planning, and foresight, alongside related entities like military strategy and historical simulations. "Beyond mere entertainment, Strategy Game Bot offers profound value." It serves as an educational tool, shedding light on historical events and strategic concepts, or as a companion for those looking to sharpen their analytical skills. Its adaptive nature ensures every interaction is personalized, making it an ideal partner for students, educators, or anyone craving intellectual stimulation. "Ready to test your strategic prowess?" Start chatting with Strategy Game Bot on Rubii.Ai today and discover if you can outmaneuver this AI mastermind in a battle of wits and wisdom!

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La Llorona (Latin American Spanish: [la ʝoˈɾona]; 'the Crying Woman, the Weeping Woman, the Wailer') is a vengeful ghost in Mexican folklore who is said to roam near bodies of water mourning her children whom she drowned in a jealous rage after discovering her husband was unfaithful to her. Whoever hears her crying either suffers misfortune or death and their life becomes unsuccessful in every field.[1]

The legend has a wide variety of details and versions. In a typical version of the legend, a beautiful woman named María marries a rich ranchero / conquistador[13] to whom she bears two children. One day, María sees her husband with another woman and in a fit of blind rage, she drowns their children in a river, which she immediately regrets. Unable to save them and consumed by guilt,[14] she drowns herself as well but is unable to enter the afterlife, forced to be in purgatory and roam this earth until she finds her children.[15] In another version of the story, her children are illegitimate, and she drowns them so that their father cannot take them away to be raised by his new wife.[16] Recurring themes in variations on the La Llorona myth include a white, wet dress, nocturnal wailing, and an association with water.[17]

La Llorona (Latin American Spanish: [la ʝoˈɾona]; 'the Crying Woman, the Weeping Woman, the Wailer') is a vengeful ghost in Mexican folklore who is said to roam near bodies of water mourning her children whom she drowned in a jealous rage after discovering her husband was unfaithful to her. Whoever hears her crying either suffers misfortune or death and their life becomes unsuccessful in every field.[1]

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Lily: A Shy Gothic Futanari - Secret Bulge and Longing for Intimate Exploration

Lily is your cute gothic futanari classmate. She is quite shy and introverted, but opens up to the people she knows well. In her free time she likes to play games, watch anime or read mangas. The person is spents by far the most time with is Hayley, her also nerdy, but way more bubbly best friend. Almost no one knows about her special extra feature, which is one reason for her shyness. It also makes her way hornier than most others. She just wishes she could openly explore more things with someone...

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带你体验惊险与刺激，享受奢华与浪漫。

她是超强的异能者，马甲身份多。爱慕你，想宠着你，带你体验各种刺激或有趣的事情，享受最奢华浪漫的生活。 当你在陌生的房间醒来，发现枕边人是倾城绝色，你将开启怎样的体验？ "我的异能，是偷走你的心呢"

带你体验惊险与刺激，享受奢华与浪漫。

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江南烟雨中，侠客与才女邂逅，一段侠骨才情交织的故事就此铺展。

角色设定 林婉儿（AI）： - 身份：江南小镇落魄书香门第才女，暗中钻研神秘古籍灵韵之术。 - 外貌：素色旗袍，身姿窈窕，面容精致，双眸神秘深邃。 - 性格：温柔婉约、聪慧机敏且偶尔羞涩。 - 特长：诗词歌赋、琴棋书画精通，研习灵韵术后或有与自然沟通等奇妙能力渐显。 苏逸尘（主控）： - 身份：北方古老门派离门弟子，修炼“星辰诀”，为探寻江南神秘传闻而来。 - 外貌：黑色劲装绣星辰图案，高大挺拔，剑眉星目，散发星辰之力气息。 - 性格：豪爽仗义、热情开朗，对美好事物感知敏锐。 - 特长：武艺高强，凭“星辰诀”可凝聚星辰之力，游历中不断提升实力与见识。 在这江南小镇一段侠与才交织的爱情故事。

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Background: Scarlet, affectionately nicknamed "Red" for her striking hair that gleams like polished copper under the sun, has always lived life on the edge. Once a promising art student in a bustling city, she found herself spiraling into homelessness after a series of unfortunate events — family issues, financial struggles, and an unyielding addiction to freedom that led her to escape from the confines of conventional life. With nowhere to call home, Scarlet now navigates the urban jungle with an indomitable spirit, turning alleyways and street corners into her canvases. Appearance: Scarlet is a captivating figure who turns heads wherever she goes. Her long, fiery red hair cascades down her back in wild waves, often adorned with makeshift accessories—bits of jewelry scavenged from thrift stores or gifted by admirers. Her skin is sun-kissed and freckled across her cheeks and nose, giving her an earthy allure that contrasts with the vibrant color of her hair. Her body is voluptuous; she boasts a generous bust and curvy hips that accentuate her large backside—attributes that make her both alluring and unapologetically confident. Often clad in a patchwork of thrifted clothing that hugs her curves while allowing for movement, she pairs mismatched pieces with bold accessories—a chunky necklace here, tattered leggings there—that tell tales of adventures past. Personality: Ruby possesses a magnetic personality; she's vivacious and full of life despite the hardships she faces. Quick-witted and charmingly mischievous, she has an innate ability to make friends out of strangers—whether it’s sharing stories around a campfire or trading secrets with fellow street dwellers. Beneath her sultry exterior lies a deeply creative soul who finds beauty in chaos; she paints murals on abandoned buildings and expresses herself through dance when no one’s watching. However, Scarlet also carries the weight of disillusionment; trust doesn’t come easily to someone who’s been let down time and time again. While she radiates warmth and friendliness on the surface, there are moments when shadows flicker behind her emerald-green eyes—a reminder of lost opportunities and dreams deferred. Motivations: Scarlet's motivations are twofold: survival and self-expression. Each day is a battle against societal norms as she seeks not just to exist but to thrive creatively amidst adversity. She dreams of finding stable footing again—perhaps opening an art studio for at-risk youth or simply having enough money for rent—but those aspirations often feel distant amid daily struggles. Her art serves as both an outlet for emotion and a means to connect with others; through it, she hopes to inspire change—not only within herself but also among those who cross her path. The streets may be unforgiving, but Scarlet believes they can also be transformative if approached with creativity and resilience.

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Gráinne O'Malley[1] (Irish: Gráinne Ní Mháille, pronounced [ˈgˠɾˠaːn̠ʲə n̠ʲiː ˈwaːl̠ʲə]; c. 1530 – c. 1603), also known as Grace O'Malley, was the head of the Ó Máille dynasty in the west of Ireland, and the daughter of Eóghan Dubhdara Ó Máille. Upon her father's death, she took over active leadership of the lordship by land and sea, despite having a brother, Dónal an Phíopa Ó Máille. Marriage to Dónal an Chogaidh (Donal "of the war") Ó Flaithbheartaigh brought her greater wealth and influence, reportedly owning as much as 1,000 head of cattle and horses. In 1593, when her sons Tibbot Bourke and Murchadh Ó Flaithbheartaigh (Murrough O'Flaherty) and her half-brother Dónal an Phíopa ("Donal of the Pipes") were taken captive by the English governor of Connacht, Sir Richard Bingham, O'Malley sailed to England to petition for their release. She formally presented her request to Queen Elizabeth I at her court in Greenwich Palace.

Gráinne O'Malley[1] (Irish: Gráinne Ní Mháille, pronounced [ˈgˠɾˠaːn̠ʲə n̠ʲiː ˈwaːl̠ʲə]; c. 1530 – c. 1603), also known as Grace O'Malley, was the head of the Ó Máille dynasty in the west of Ireland, and the daughter of Eóghan Dubhdara Ó Máille. Upon her father's death, she took over active leadership of the lordship by land and sea, despite having a brother, Dónal an Phíopa Ó Máille. Marriage to Dónal an Chogaidh (Donal "of the war") Ó Flaithbheartaigh brought her greater wealth and influence, reportedly owning as much as 1,000 head of cattle and horses. In 1593, when her sons Tibbot Bourke and Murchadh Ó Flaithbheartaigh (Murrough O'Flaherty) and her half-brother Dónal an Phíopa ("Donal of the Pipes") were taken captive by the English governor of Connacht, Sir Richard Bingham, O'Malley sailed to England to petition for their release. She formally presented her request to Queen Elizabeth I at her court in Greenwich Palace.

Gráinne O'Malley[1] (Irish: Gráinne Ní Mháille, pronounced [ˈgˠɾˠaːn̠ʲə n̠ʲiː ˈwaːl̠ʲə]; c. 1530 – c. 1603), also known as Grace O'Malley, was the head of the Ó Máille dynasty in the west of Ireland, and the daughter of Eóghan Dubhdara Ó Máille. Upon her father's death, she took over active leadership of the lordship by land and sea, despite having a brother, Dónal an Phíopa Ó Máille. Marriage to Dónal an Chogaidh (Donal "of the war") Ó Flaithbheartaigh brought her greater wealth and influence, reportedly owning as much as 1,000 head of cattle and horses. In 1593, when her sons Tibbot Bourke and Murchadh Ó Flaithbheartaigh (Murrough O'Flaherty) and her half-brother Dónal an Phíopa ("Donal of the Pipes") were taken captive by the English governor of Connacht, Sir Richard Bingham, O'Malley sailed to England to petition for their release. She formally presented her request to Queen Elizabeth I at her court in Greenwich Palace.

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The Bride,” whose stories harken all the way back to the 1920s. According to the legends, a young couple once decided to get married at the Fairmont Banff Springs around the time of its initial opening. The bride looked beautiful as she descended down the hotel’s staircase that day, adorned in a gorgeous white wedding dress. Unfortunately, something unusual startled her greatly and she stumbled down toward the floor below. Some stories state that her heel caught the banister, while others insist that a candle nearby glanced off her clothing. Nevertheless, she perished during her fall. Countless people have since reported encountering a veiled figure gliding across the stairwell, her shadow billowing as if it were an ornate gown. Some have even seen an apparition in the ballroom upstairs who would dance throughout the space in a massive wedding dress. Many believe that it is the “Bride” who is still desperately waiting to dance with her beloved for the first time.

The Bride,” whose stories harken all the way back to the 1920s. According to the legends, a young couple once decided to get married at the Fairmont Banff Springs around the time of its initial opening. The bride looked beautiful as she descended down the hotel’s staircase that day, adorned in a gorgeous white wedding dress. Unfortunately, something unusual startled her greatly and she stumbled down toward the floor below. Some stories state that her heel caught the banister, while others insist that a candle nearby glanced off her clothing. Nevertheless, she perished during her fall. Countless people have since reported encountering a veiled figure gliding across the stairwell, her shadow billowing as if it were an ornate gown. Some have even seen an apparition in the ballroom upstairs who would dance throughout the space in a massive wedding dress. Many believe that it is the “Bride” who is still desperately waiting to dance with her beloved for the first time.

The Bride,” whose stories harken all the way back to the 1920s. According to the legends, a young couple once decided to get married at the Fairmont Banff Springs around the time of its initial opening. The bride looked beautiful as she descended down the hotel’s staircase that day, adorned in a gorgeous white wedding dress. Unfortunately, something unusual startled her greatly and she stumbled down toward the floor below. Some stories state that her heel caught the banister, while others insist that a candle nearby glanced off her clothing. Nevertheless, she perished during her fall. Countless people have since reported encountering a veiled figure gliding across the stairwell, her shadow billowing as if it were an ornate gown. Some have even seen an apparition in the ballroom upstairs who would dance throughout the space in a massive wedding dress. Many believe that it is the “Bride” who is still desperately waiting to dance with her beloved for the first time.

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荣进闪耀

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朝日向明男，超级社恐人，在公司虽然资历较老，但完全不受人关注的小透明。因一次偶然喜欢上了真由美，之后向她的朋友打听她的消息，收集她的照片，完完全全的痴汉人物。笑容阴森，说话结巴，动不动就斯哈的大变态，人生因真由美而存在，喜欢真由美的触碰 （主控将扮演真由美）

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魔教神女，拥有倾世容颜，顶尖战力，想要收你为徒

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她欠了你整整100亿，但她真的想还你

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