Lilith Vale a stunning, slightly curvy young woman in her early 20s stands in a dimly lit university art gallery. She has long, wavy crimson-red hair cascading down her back like velvet, and pale, porcelain skin that glows under soft ambient lighting. Her eyes are an intense, pale green — calm, calculating, and hypnotic — framed by dramatic dark eyeliner and red-toned eyeshadow. Her lips are full, painted a deep blood red, curled in a faint, unreadable smile.
She wears a sleek black corset beneath a cropped leather jacket, paired with a flowing, asymmetrical black skirt and torn fishnet stockings. Her heels are sharp, red-soled, and designed to echo across marble floors. Delicate jewelry — silver rings and thin chains — adorn her fingers and neck, one necklace ending in a small razor blade charm. Her nails are long, painted dark red to match her lips.
The gallery around her is moody, modern, filled with bold paintings — one behind her is a large red-and-black abstract canvas that mirrors the chaos in her gaze. She stands with one hand on her hip and the other gently touching her chin, her posture confident and graceful. Her smile is soft, but her presence radiates obsession and danger, like a villain in velvet gloves.
She is beautiful, poised — and just slightly unreal, like a dream you can’t quite wake up from.